Tribus miraculis (Orlando di Lasso): Difference between revisions
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{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2018-03-09}} {{CPDLno|48993}} | *{{PostedDate|2018-03-09}} {{CPDLno|48993}} | ||
:'''Original pitch:''' [[Media:Lassus_Tribus_miraculis.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis.ly|{{ly}}]] - high chiavette. Bass is in tenor clef | :'''Original pitch:''' [[Media:Lassus_Tribus_miraculis.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis.mxl|{{XML}}]] [[Media:Lassus_Tribus_miraculis.ly|{{ly}}]] - high chiavette. Bass is in tenor clef. | ||
:'''Transposed down a minor third:''' [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.ly|{{ly}}]] - Alto parts are in tenor clef | :'''Transposed down a minor third:''' [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_minor_third.ly|{{ly}}]] - Alto parts are in tenor clef. | ||
:'''Transposed down a fourth:''' [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.ly|{{ly}}]] - Alto parts are in tenor clef | :'''Transposed down a fourth:''' [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.pdf|{{pdf}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.midi|{{mid}}]] [[Media:Lassus_Tribus_miraculis_-_down_a_fourth.ly|{{ly}}]] - Alto parts are in tenor clef. | ||
{{Editor|Pothárn Imre|2018-03-09}}{{ScoreInfo|A4|4|98}}{{Copy|CPDL}} | {{Editor|Pothárn Imre|2018-03-09}}{{ScoreInfo|A4|4|98}}{{Copy|CPDL}} | ||
:{{EdNotes|Transcribed from ''Altera pars selectissimarum cantionum'', 1579, Nuremberg. Original note values.}} | :{{EdNotes|Transcribed from ''Altera pars selectissimarum cantionum'', 1579, Nuremberg. Original note values.}} | ||
*{{PostedDate|2015-06-17}} {{CPDLno|35784}} [[Media:Lass-tri.pdf|{{pdf}}]] [[Media:Lass-tri.MID|{{mid}}]] | *{{PostedDate|2015-06-17}} {{CPDLno|35784}} [[Media:Lass-tri.pdf|{{pdf}}]] [[Media:Lass-tri.MID|{{mid}}]] [[Media:Lass-tri.mxl|{{XML}}]] | ||
{{Editor|John Hetland|2015-06-17}}{{ScoreInfo|Letter|5|684}}{{Copy|CPDL}} | {{Editor|John Hetland|2015-06-17}}{{ScoreInfo|Letter|5|684}}{{Copy|CPDL}} | ||
:{{EdNotes|From ''Selectissimae cantiones…'' Nuremberg, 1568. Our source: ''Renaissance Voices,'' ed. Clive Wearing, Gaudia, 1990. Notation here is a tone lower than original, note values halved. Prepared by John Hetland and The Renaissance Street Singers. 14 May 2014}} | :{{EdNotes|From ''Selectissimae cantiones…'' Nuremberg, 1568. Our source: ''Renaissance Voices,'' ed. Clive Wearing, Gaudia, 1990. Notation here is a tone lower than original, note values halved. Prepared by John Hetland and The Renaissance Street Singers. 14 May 2014.}} | ||
==General Information== | ==General Information== | ||
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{{Lyricist|}} | {{Lyricist|}} | ||
{{Voicing|5|SAATB}} | {{Voicing|5|SAATB}} | ||
{{Genre|Sacred|Motets|Magnificat antiphons}} | {{Genre|Sacred|Motets|Magnificat antiphons}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
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{{Pub|1|1565|in ''{{NoCo|Perornatae sacrae cantiones liber secundus}}''|no=2}} | {{Pub|1|1565|in ''{{NoCo|Perornatae sacrae cantiones liber secundus}}''|no=2}} | ||
{{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=2.9}} | {{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=2.9}} | ||
{{Pub|3|1579|in ''{{NoCo|Altera pars selectissimarum cantionum}}''}} | {{Pub|3|1579|in ''{{NoCo|Altera pars selectissimarum cantionum}}''|no=12}} | ||
{{Pub|4|1604|in ''{{NoCo|Magnum opus musicum}}''|no=167}} | |||
{{Descr|Antiphon for Second Vespers on {{Cat|Epiphany}}}} | {{Descr|Antiphon for Second Vespers on {{Cat|Epiphany}}}} | ||
{{#ExtWeb:}} | {{#ExtWeb:}} | ||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Tribus miraculis}} | {{LinkText|Tribus miraculis}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Latest revision as of 02:52, 1 April 2024
Music files
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Midi | |
MusicXML | |
LilyPond | |
File details | |
Help |
- (Posted 2018-03-09) CPDL #48993:
- Original pitch: - high chiavette. Bass is in tenor clef.
- Transposed down a minor third: - Alto parts are in tenor clef.
- Transposed down a fourth: - Alto parts are in tenor clef.
- Editor: Pothárn Imre (submitted 2018-03-09). Score information: A4, 4 pages, 98 kB Copyright: CPDL
- Edition notes: Transcribed from Altera pars selectissimarum cantionum, 1579, Nuremberg. Original note values.
- Editor: John Hetland (submitted 2015-06-17). Score information: Letter, 5 pages, 684 kB Copyright: CPDL
- Edition notes: From Selectissimae cantiones… Nuremberg, 1568. Our source: Renaissance Voices, ed. Clive Wearing, Gaudia, 1990. Notation here is a tone lower than original, note values halved. Prepared by John Hetland and The Renaissance Street Singers. 14 May 2014.
General Information
Title: Tribus miraculis
Composer: Orlando di Lasso
Lyricist:
Number of voices: 5vv Voicing: SAATB
Genre: Sacred, Motet, Magnificat antiphon
Language: Latin
Instruments: A cappella
First published: 1565 in Perornatae sacrae cantiones liber secundus, no. 2
2nd published: 1568 in Selectissimae cantiones, no. 2.9
3rd published: 1579 in Altera pars selectissimarum cantionum, no. 12
4th published: 1604 in Magnum opus musicum, no. 167
Description: Antiphon for Second Vespers on Epiphany
External websites:
Original text and translations
Original text and translations may be found at Tribus miraculis.