Vidi speciosam (Raffaella Aleotti): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
* {{PostedDate|2021-02-07}} {{CPDLno|62740}} [[Media:Aleotti-_Vidi_speciosam_-_Score_-_Score.pdf|{{pdf}}]] [[Media:Aleotti-_Vidi_speciosam_-_Score.midi|{{mid}}]] [[Media:Aleotti-_Vidi_speciosam_-_Score.mxl|{{XML}}]] | *{{PostedDate|2024-04-10}} {{CPDLno|80174}} [[Media:Vidi_speciosam_Brolsma.pdf|{{pdf}}]] [[Media:Vidi_speciosam_Brolsma.mxl|{{XML}}]] | ||
{{Editor|Bruce Brolsma|2024-04-10}}{{ScoreInfo|Letter|7|462}}{{Copy|Creative Commons Attribution Share Alike}} | |||
:{{EdNotes|A small difference is that for the final two words in all five parts, Aleotti has written the singular lilium convallium (“lily-of-the- valley”) rather than the plural form lilia convallium (“lilies-of-the-valley”) that other composers of the period such as Massaino, Cima, Grandi, and Victoria chose when working with similar text. For consistency with the use of rosarum (“roses”), I have chosen the plural form, lilia.}} | |||
*{{PostedDate|2021-02-07}} {{CPDLno|62740}} [[Media:Aleotti-_Vidi_speciosam_-_Score_-_Score.pdf|{{pdf}}]] [[Media:Aleotti-_Vidi_speciosam_-_Score.midi|{{mid}}]] [[Media:Aleotti-_Vidi_speciosam_-_Score.mxl|{{XML}}]] | |||
{{Editor|Emily Jenkins|2021-02-07}}{{ScoreInfo|Letter|6|263}}{{Copy|CPDL}} | {{Editor|Emily Jenkins|2021-02-07}}{{ScoreInfo|Letter|6|263}}{{Copy|CPDL}} | ||
:{{EdNotes|The Bass and Tenor I and Tenor 2 parts were transposed at the octave to become the Alto 2, Soprano 1 and Soprano 2 parts, respectively.}} | :{{EdNotes|The Bass and Tenor I and Tenor 2 parts were transposed at the octave to become the Alto 2, Soprano 1 and Soprano 2 parts, respectively.}} | ||
*{{PostedDate|2017-01-02}} {{CPDLno|42493}} [http://www.notamos.co.uk/146740.shtml {{net}}] | *{{PostedDate|2017-01-02}} {{CPDLno|42493}} [http://www.notamos.co.uk/146740.shtml {{net}}] | ||
{{Editor|Christopher Shaw|2017-01-02}}{{ScoreInfo|A4|6|64}}{{Copy| | {{Editor|Christopher Shaw|2017-01-02}}{{ScoreInfo|A4|6|64}}{{Copy|Creative Commons Attribution Share Alike}} | ||
:{{EdNotes|Please click on the link for preview/playback/PDF download.}} | :{{EdNotes|Please click on the link for preview/playback/PDF download.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Vidi speciosam''}} | {{Title|''Vidi speciosam''}} | ||
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{{Lyricist|}} | {{Lyricist|}} | ||
{{Voicing|5|SATTB}} | {{Voicing|5|SATTB}} | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
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{{Pub|1|1593|in ''[[Sacrae cantiones (Raffaella Aleotti)]]''|no=11}} | {{Pub|1|1593|in ''[[Sacrae cantiones (Raffaella Aleotti)]]''|no=11}} | ||
{{Descr| }} | {{Descr| }} | ||
{{#ExtWeb:}} | {{#ExtWeb:{{Choralia|filter=at01}}}} | ||
==Original text and translations== | ==Original text and translations== | ||
{{LinkText|Vidi speciosam}} | {{LinkText|Vidi speciosam}} |
Revision as of 14:26, 10 April 2024
Music files
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Help |
- Editor: Bruce Brolsma (submitted 2024-04-10). Score information: Letter, 7 pages, 462 kB Copyright: CC BY SA
- Edition notes: A small difference is that for the final two words in all five parts, Aleotti has written the singular lilium convallium (“lily-of-the- valley”) rather than the plural form lilia convallium (“lilies-of-the-valley”) that other composers of the period such as Massaino, Cima, Grandi, and Victoria chose when working with similar text. For consistency with the use of rosarum (“roses”), I have chosen the plural form, lilia.
- Editor: Emily Jenkins (submitted 2021-02-07). Score information: Letter, 6 pages, 263 kB Copyright: CPDL
- Edition notes: The Bass and Tenor I and Tenor 2 parts were transposed at the octave to become the Alto 2, Soprano 1 and Soprano 2 parts, respectively.
- Editor: Christopher Shaw (submitted 2017-01-02). Score information: A4, 6 pages, 64 kB Copyright: CC BY SA
- Edition notes: Please click on the link for preview/playback/PDF download.
General Information
Title: Vidi speciosam
Composer: Raffaella Aleotti
Lyricist:
Number of voices: 5vv Voicing: SATTB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 1593 in Sacrae cantiones (Raffaella Aleotti), no. 11
Description:
External websites:
- Free choir training aids for this work are available at Choralia.
Original text and translations
Original text and translations may be found at Vidi speciosam.