Whither away so fast (Thomas Morley): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2012-05-14}} {{CPDLno|26173}} [[Media:Whither_away_so_fast.pdf|{{pdf}}]] [[Media:Whither_away_so_fast.mid|{{mid}}]] [[Media:Whither_away_so_fast.mxl|{{XML}}]] [[Media:Whither_away_so_fast.cap|{{Cap}}]]
*{{CPDLno|26173}} [[Media:Whither_away_so_fast.pdf|{{pdf}}]] [[Media:Whither_away_so_fast.mid|{{mid}}]] [[Media:Whither_away_so_fast.cap|{{Cap}}]]  
{{Editor|James Gibb|2012-05-14}}{{ScoreInfo|A4|4|45}}{{Copy|CPDL}}
{{Editor|James Gibb|2012-05-14}}{{ScoreInfo|A4|4|45}}{{Copy|CPDL}}
:'''Edition notes:''' Transposed down a major 2nd.
:{{EdNotes|Transposed down a major 2nd.}}


*{{CPDLno|14975}} [[Media:364.pdf|{{pdf}}]] [{{website|brianrussell}}364.mid {{mid}}] [{{website|brianrussell}}364.nwc {{NWC}}] (NoteWorthy Composer)
*{{PostedDate|2007-09-11}} {{CPDLno|14975}} [[Media:364.pdf|{{pdf}}]] [[Media:br-364.mid|{{mid}}]] [[Media:br-364.mxl|{{XML}}]] [[Media:br-364.nwc|{{NWC}}]]
{{Editor|Brian Russell|2007-09-11}}{{ScoreInfo|A4|5|48}}{{Copy|CPDL}}
{{Editor|Brian Russell|2007-09-11}}{{ScoreInfo|A4|5|48}}{{Copy|CPDL}}
:'''Edition notes:''' {{NWCV}}
:{{EdNotes|{{NWCV}}}}


*{{CPDLno|610}} [{{website|conrad}} {{net}}]
*{{PostedDate|1999-12-07}} {{CPDLno|610}} [{{website|conrad}} {{net}}]
{{Editor|Laura Conrad|1999-12-07}}{{ScoreInfo|Letter|11|828}}{{Copy|GnuGPL}}
{{Editor|Laura Conrad|1999-12-07}}{{ScoreInfo|Letter|11|828}}{{Copy|GnuGPL}}
:'''Edition notes:''' In partbook format.
:{{EdNotes|In partbook format.}}


==General Information==
==General Information==
'''Title:''' ''Whither away so fast''<br>
{{Title|''Whither away so fast''}}
{{Composer|Thomas Morley}}
{{Composer|Thomas Morley}}


{{Voicing|3|SAT}}<br>
{{Voicing|3|SAT}}
{{Genre|Secular|Madrigals}}
{{Genre|Secular|Madrigals}}
{{Language|English}}
{{Language|English}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|1593}}
{{Pub|1|1593|in ''{{NoCo|Canzonets to Three Voices}}''|no=7}}
 
{{Descr| }}
'''Description:''' No. 7 from [[Canzonets for three voices (Thomas Morley)|Canzonets for three voices]]
{{#ExtWeb:}}
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{Text|English|
{{Text|English|
Line 35: Line 31:
Whither away so fast from me your true love,
Whither away so fast from me your true love,
Your true love approved?
Your true love approved?
What haste I say, what haste,  
What haste I say, what haste,
Mine own best darling dear beloved?
Mine own best darling dear beloved?
Then lo I come, dispatch thee I come,
Then lo I come, dispatch thee I come,

Latest revision as of 17:26, 14 September 2021

Music files

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ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
MusicXML.png MusicXML
Capella.png Capella
Nwc.png Noteworthy
Network.png Web Page
File details.gif File details
Question.gif Help
  • (Posted 2012-05-14)  CPDL #26173:         
Editor: James Gibb (submitted 2012-05-14).   Score information: A4, 4 pages, 45 kB   Copyright: CPDL
Edition notes: Transposed down a major 2nd.
  • (Posted 2007-09-11)  CPDL #14975:         
Editor: Brian Russell (submitted 2007-09-11).   Score information: A4, 5 pages, 48 kB   Copyright: CPDL
Edition notes: NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer.
  • (Posted 1999-12-07)  CPDL #00610:  Network.png
Editor: Laura Conrad (submitted 1999-12-07).   Score information: Letter, 11 pages, 828 kB   Copyright: GnuGPL
Edition notes: In partbook format.

General Information

Title: Whither away so fast
Composer: Thomas Morley

Number of voices: 3vv   Voicing: SAT
Genre: SecularMadrigal

Language: English
Instruments: A cappella

First published: 1593 in Canzonets to Three Voices, no. 7
Description: 

External websites:

Original text and translations

English.png English text

Whither away so fast, so fast?
Tell me my dearest dear darling:
Whither away so fast alone so fast away,
Whither away so fast from me your true love,
Your true love approved?
What haste I say, what haste,
Mine own best darling dear beloved?
Then lo I come, dispatch thee I come,
I come, I come, lo I come, dispatch thee I come,
Hence I say, away, hence, away,
Away, or I catch, I catch, or I catch thee.
Think not thus away to 'scape all alone without me;
But run, you need not doubt me: What now?
What faint you, of your sweet feet forsaken?
O well I see you mean to mock me, run, I say,
Or else I catch you; what you halt? O do you so?
Alack the while; what are you down? pretty maid,
well overtaken. What now? what faint you,
of your sweet, of your sweet feet forsaken, forsaken.
O well I see you mean to mock me, run, I say,
or else I catch you, what, you halt? O do you so?
alack the while, what are you down? pretty maid,
well overtaken.