With one consent let all the earth (New Hundredth) (Thomas Jarman): Difference between revisions
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*{{CPDLno|32802}} [{{filepath:JarmT-WithOneConsent-NewHundredth.pdf}} {{pdf}}] [{{filepath:JarmT-WithOneConsent-NewHundredth.mid}} {{mid}}] [{{filepath:JarmT-WithOneConsent-NewHundredth.sib}} Sibelius 7 | *{{CPDLno|32802}} [{{filepath:JarmT-WithOneConsent-NewHundredth.pdf}} {{pdf}}] [{{filepath:JarmT-WithOneConsent-NewHundredth.mid}} {{mid}}] [{{filepath:JarmT-WithOneConsent-NewHundredth.sib}} {{sib}}] (Sibelius 7) {{sib}} | ||
{{Editor|Edmund Gooch|2014-08-29}}{{ScoreInfo|A4|1|51}}{{Copy|Public Domain}} | {{Editor|Edmund Gooch|2014-08-29}}{{ScoreInfo|A4|1|51}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' The original order of parts is Tenor - Alto - Air - [Bass]: the alto part is printed in the treble clef an octave above sounding pitch in the source. Only the first verse of the text is given in the source: the three subsequent verses have been added editorially. The lower of the two alto notes on beat 1 of bar 11, given here as an E, is printed in the source as the F{{Sharp}} a tone higher, and has been emended to conform to the harmony indicated by the bass figuring. | :'''Edition notes:''' The original order of parts is Tenor - Alto - Air - [Bass]: the alto part is printed in the treble clef an octave above sounding pitch in the source. Only the first verse of the text is given in the source: the three subsequent verses have been added editorially. The lower of the two alto notes on beat 1 of bar 11, given here as an E, is printed in the source as the F{{Sharp}} a tone higher, and has been emended to conform to the harmony indicated by the bass figuring. |
Revision as of 20:04, 2 August 2016
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- Editor: Edmund Gooch (submitted 2014-08-29). Score information: A4, 1 page, 51 kB Copyright: Public Domain
- Edition notes: The original order of parts is Tenor - Alto - Air - [Bass]: the alto part is printed in the treble clef an octave above sounding pitch in the source. Only the first verse of the text is given in the source: the three subsequent verses have been added editorially. The lower of the two alto notes on beat 1 of bar 11, given here as an E, is printed in the source as the F♯ a tone higher, and has been emended to conform to the harmony indicated by the bass figuring.
General Information
Title: With one consent let all the earth
Composer: Thomas Jarman
Tune: New Hundredth
Lyricists: Nahum Tate and Nicholas Brady (from A new version of the psalms of David)
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn Meter: 88. 88 (L.M.)
Language: English
Instruments: Basso continuo
Published: 1812
Description: This setting was published on p28 of Thomas Jarman's Sacred Music, comprising Thirty Six Select Hymns, London: [c1812]. Hymn Tune Index tune number 13781. The same text was set by Jarman to a different tune, 'Edom', in his subsequent collection Sacred Music Consisting of a Third Set of Psalms, Hymns and Anthems, London: [1813].
External websites:
Original text and translations
Original text and translations may be found at Psalm 100.