Lira sacro-hispana (Hilarión Eslava)
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General information
Title: Lira sacro-hispana
Full Title: Lira Sacro-Hispana: Gran coleccion de obras de Música Religiosa, compuesta por los mas acredilados maestros Españoles, tanto antiguos como modernos: publicacion que se hace bajo la proteccion de S.M. la Reina Donna Isabel II, (Q.D.G.) y dirigida por D. Hilarión Eslava, Maestro de su Real Capilla.
Editor-Compiler: Hilarión Eslava
Volumes
- 1 – Published 1852 – in Madrid by Mariano Martín Salazar, Siglo XVI, year approximate
- 2 – Published 1852 – in Madrid by Mariano Martín Salazar, Siglo XVI, year approximate
- 3 – Published 1853 – in Madrid by Mariano Martín Salazar, Siglo XVII, year approximate
- 4 – Published 1854 – in Madrid by Mariano Martín Salazar, Siglo XVII, year approximate
- 5 – Published 1855 – in Madrid by Mariano Martín Salazar, Siglo XVIII, year approximate
- 6 – Published 1856 – in Madrid by Mariano Martín Salazar, Siglo XVIII, year approximate
- 7 – Published 1857 – in Madrid by Mariano Martín Salazar, Siglo XIX, year approximate
- 8 – Published 1858 – in Madrid by Mariano Martín Salazar, Siglo XIX, year approximate
- 9 – Published 1859 – in Madrid by Mariano Martín Salazar, Siglo XIX, year approximate
- 10 – Published 1860 – in Madrid by Mariano Martín Salazar, Siglo XIX, year approximate
Genre: Sacred.
Description: A ten-volume collection of sacred Spanish music from the sixteenth through the nineteenth centuries. Volume nine contains works by Eslava himself, while many of the works in volume ten are dedicated to him by friends and former students. This series was originally published from 1852 to 1860, but the individual volumes do not have specific years of publication printed in them; therefore, publication years have been assumed here.
Eslava sometimes made changes to the music he transcribed to adapt it to mid 19th Century taste.
Facsimile: IMSLP
List of works
| Vol. | No. | Title | Composer | Voices | Comment |
|---|---|---|---|---|---|
| 1 | 1 | Ave regina caelorum | Ramos | 4 | |
| 1 | 2 | Magnificat pro defunctis | Anonymous | 4 | |
| 1 | 3 | Domine Jesu Christe qui hora diei ultima in sepulchro | Anonymous | 4 | |
| 1 | 4 | Missa de Feria | Antoine de Févin | 5 | 'Sanctus', 'Benedictus', and 'Agnus Dei' only |
| 1 | 5 | Ascendens Christus | Antoine de Févin | 6 | |
| 1 | 6 | Sancta mater | Francisco de Peñalosa | 4 | |
| 1 | 7 | Tribularer | Francisco de Peñalosa | 4 | |
| 1 | 8 | In passione | Francisco de Peñalosa | 4 | |
| 1 | 9 | Memorare | Francisco de Peñalosa | 4 | |
| 1 | 10 | Versa est | Francisco de Peñalosa | 4 | |
| 1 | 11 | Precor te | Francisco de Peñalosa | 4 | |
| 1 | 12 | Magnificat primi toni | Bernardino Ribera | 7 | |
| 1 | 13 | Virgo prudentissima | Bernardino Ribera | 5 | |
| 1 | 14 | Rex autem David | Bernardino Ribera | 5 | |
| 1 | 15 | Magnificat septimi toni | Andres de Torrentes | 5 | |
| 1 | 16 | Hortus conclusus | Rodrigo de Ceballos | 4 | attributed here to Francisco Ceballos |
| 1 | 17 | Inter vestibulum et altare | Rodrigo de Ceballos | 4 | attributed here to Francisco Ceballos |
| 1 | 18 | Exaudiat dominus | Rodrigo de Ceballos | 4 | attributed here to Francisco Ceballos |
| 1 | 19 | Emendemus in melius | Cristóbal de Morales | 5 | |
| 1 | 20 | O vos omnes | Cristóbal de Morales | 4 | |
| 1 | 21 | Lamentabatur Jacob | Cristóbal de Morales | 5 | |
| 1 | 22 | O Crux, ave, spes unica | Cristóbal de Morales | 5 | |
| 1 | 23 | Verbum iniquum et dolosum | Cristóbal de Morales | 5 | |
| 1 | 24 | Missa de Beata Virgine | Cristóbal de Morales | 5 | 'Kyrie' and 'Gloria' only |
| 1 | 25 | Immutemur habitu | Bartolomé de Escobedo | 4 | |
| 1 | 26 | Esurge | Bartolomé de Escobedo | 4 | |
| 1 | 27 | Erravi | Bartolomé de Escobedo | 4 | |
| 1 | 28 | Dispersit dedit pauperibus | Pedro Fernández de Castilleja | 4 | |
| 1 | 29 | Heu mihi | Pedro Fernández de Castilleja | 5 | |
| 1 | 30 | Ave Sanctissimum | Antonio Bernal | 4 | |
| 1 | 31 | Domine Jesu Christe, qui in cruce | Melchor Robledo | 4 | |
| 1 | 32 | Regem cui omnia vivunt | Melchor Robledo | 4 | |
| 1 | 33 | Confitebor | Melchor Robledo | 4 | |
| 1 | 34 | Ave maris stella | Melchor Robledo | 4 | |
| 2 | 1 | Missa Ave maris stella | Tomás Luis de Victoria | 5 | |
| 2 | 2 | Vere languores | Tomás Luis de Victoria | 4 | |
| 2 | 3 | O Domine Jesu Christe | Tomás Luis de Victoria | 6 | |
| 2 | 4 | Jesu, dulcis memoria | Tomás Luis de Victoria | 4 | possible misattribution |
| 2 | 5 | O quam gloriosum | Tomás Luis de Victoria | 4 | |
| 2 | 6 | Laudate Dominum omnes gentes | Tomás Luis de Victoria | 8 | |
| 2 | 7 | Missa Pro defunctis | Tomás Luis de Victoria | 4 | |
| 2 | 8 | Passio secundum Matheum | Francisco Guerrero | 6 | |
| 2 | 9 | Passio secundum Joannem | Francisco Guerrero | 5 | |
| 2 | 10 | Ave virgo sanctissima | Francisco Guerrero | 5 | |
| 2 | 11 | Trahe me post te | Francisco Guerrero | 5 | |
| 2 | 12 | Missa Simile est regnum caelorum | Francisco Guerrero | 4 | |
| 2 | 13 | Lauda Jerusalem | Juan Navarro Hispalensis | 4 | |
| 2 | 14 | In exitu | Juan Navarro Hispalensis | 4 | |
| 2 | 15 | Magnificat primi toni | Juan Navarro Hispalensis | 4 | |
| 2 | 16 | Magnificat secundi toni | Juan Navarro Hispalensis | 4 | |
| 2 | 17 | Magnificat octavi toni | Juan Navarro Hispalensis | 4 | |
| 2 | 18 | Quis enim cognovit | Diego del Castillo | 5 | |
| 2 | 19 | O altitudo divitiarum | Diego del Castillo | 5 | |
| 2 | 20 | Victimæ paschali laudes | Fernando de las Infantas | 6 | |
| 2 | 21 | Defensor almae Hispaniae | Miguel Gómez Camargo | 4 | |
| 2 | 22 | Pereat dies | Diego Ortiz | 5 | |
| 2 | 23 | Ave Domina Maria | Pedro Periáñez | 5 | |
| 3 | 1 | Hodie nobis coelorum | Juan Bautista Comes | 12 | with basso continuo |
| 3 | 2 | Versa est in luctum | Alonso Lobo | 6 | |
| 3 | 3 | Credo quod Redemptor | Alonso Lobo | 4 | |
| 3 | 4 | Vivo ego | Alonso Lobo | 4 | |
| 3 | 5 | Ave Maria | Alonso Lobo | 8 | |
| 3 | 6 | Magnificat primi toni | Sebastián Aguilera de Heredia | 4 | |
| 3 | 7 | Magnificat secundi toni | Sebastián Aguilera de Heredia | 4 | |
| 3 | 8 | Magnificat tertii toni | Sebastián Aguilera de Heredia | 4 | |
| 3 | 9 | Magnificat quarti toni | Sebastián Aguilera de Heredia | 4 | |
| 3 | 10 | Magnificat quinti toni | Sebastián Aguilera de Heredia | 4 | |
| 3 | 11 | Magnificat sexti toni | Sebastián Aguilera de Heredia | 4 | |
| 3 | 12 | Magnificat septimi toni | Sebastián Aguilera de Heredia | 4 | |
| 3 | 13 | Magnificat octavi toni | Sebastián Aguilera de Heredia | 4 | |
| 3 | 14 | Qui Lazarum | Pedro Tafalla | 4 | |
| 3 | 15 | Ne recorderis | Pedro Tafalla | 4 | |
| 3 | 16 | Libera me | Pedro Tafalla | 4 | |
| 3 | 17 | Parce mihi | Pedro Tafalla | 4 | with basso continuo |
| 3 | 18 | Libera me Domine | Mateo Romero | 8 | with basso continuo |
| 3 | 19 | Benedicamus benedico | Matías Juan de Veana | 8 | with basso continuo |
| 3 | 20 | O Domine | Sebastian de Vivanco | 5 | |
| 3 | 21 | Vivo ego | Sebastian de Vivanco | 4 | |
| 3 | 22 | Magnificat a 8 | Urbán de Vargas | 8 | with basso continuo |
| 3 | 23 | Voce mea ad Dominum | Gracià Baban | 8 | with basso continuo |
| 3 | 24 | Vulnerasti cor meum | Alonso Xuárez | 8 | with basso continuo |
| 3 | 25 | Dum sacrum pignus | Alonso Xuárez | 9 | with basso continuo |
| 3 | 26 | Missa a 8 | Diego de Cáseda y Zaldívar | 8 | with basso continuo |
| 4 | 1 | Missa In exitu Israel de Egipto | Diego de Pontac | 4 | |
| 4 | 2 | Missa In devotione | Carlos Patiño | 8 | with basso continuo |
| 4 | 3 | Heu mihi | Juan García de Salazar | 4 | |
| 4 | 4 | O Rex gloriae | Juan García de Salazar | 8 | with organ |
| 4 | 5 | Quae est ista | Juan García de Salazar | 6 | with organ |
| 4 | 6 | Vidi speciosam | Juan García de Salazar | 6 | with organ |
| 4 | 7 | Sancta Maria | Juan García de Salazar | 5 | with organ |
| 4 | 8 | Nativitas tua | Juan García de Salazar | 6 | with organ |
| 4 | 9 | Mater Dei | Juan García de Salazar | 5 | with organ |
| 4 | 10 | Lamentations: Lesson I in Feria V | Antonio Teodoro Ortells | 12 | with basso continuo |
| 4 | 11 | Misa de difuntos | Francisco de Montemayor | 8 | with basso continuo |
| 4 | 12 | O vos omnes | Sebastián Durón | 4 | with basso continuo |
| 5 | 1 | Misa de difuntos | José de Torres | 4 | introit, Kyrie, tract, and offertory only |
| 5 | 2 | Versa est in luctum | José de Torres | 4 | |
| 5 | 3 | Parce mihi domine | José de Torres | 8 | with basso continuo |
| 5 | 4 | Taedet animam meam | José de Torres | 8 | with basso continuo |
| 5 | 5 | Dan dan, don don | Anonymous | 4 | |
| 5 | 6 | Audite universi populi | Pedro Rabaza | 12 | with basso continuo |
| 5 | 7 | Tota pulchra es | Francisco Valls | 4 | with basso continuo |
| 5 | 8 | Missa | Francisco Vicente y Cervera | 8 | Kyrie and Gloria only, with basso continuo |
| 5 | 9 | Sepulto Domino | Juan Pérez Roldán | 8 | with basso continuo |
| 5 | 10 | Spiritus meus atenuabitur | José de San Juan | 8 | with basso continuo |
| 5 | 11 | Pelli meae | José de San Juan | 8 | with basso continuo |
| 5 | 12 | Jesu redemptor omnium | Juan Paez | 4 | |
| 5 | 13 | O vos omnes | Diego de las Muelas | 8 | with basso continuo |
| 5 | 14 | Ductus est Jesus | Diego de las Muelas | 4 | |
| 5 | 15 | Dicebat Jesus | Diego de las Muelas | 4 | |
| 5 | 16 | Erum signa in sole et luna | Diego de las Muelas | 4 | |
| 5 | 17 | Cum audisset Joannes | Diego de las Muelas | 4 | |
| 5 | 18 | Vox clamantis in deserto | Diego de las Muelas | 3 | |
| 5 | 19 | Kyrie and Gloria | José de Casseda | 4 | |
| 5 | 20 | Exultet orbis | Antonio Literes | 4 | |
| 5 | 21 | Sactorum meritis | Antonio Literes | 4 | |
| 5 | 22 | Dilexisti quoniam exaudiet Dominus | Benito Juliá | 4 | with basso continuo |
| 5 | 23 | Levavi oculos meos | Benito Juliá | 4 | with basso continuo |
| 5 | 24 | Confitebor tibi Domine | Benito Juliá | 4 | with basso continuo |
| 5 | 25 | Magnificat | Benito Juliá | 4 | with basso continuo |
| 5 | 26 | Libera me Domine | Benito Juliá | 4 | with basso continuo |
| 5 | 27 | Beatus vir | Pasqual Fuentes i Alcàsser | 10 | with basso continuo and another bass instrument |
| 5 | 28 | Misa de difuntos | Antonio Soler | 8 | Introit, Kyrie, and Offertory only, with basso continuo |
| 5 | 29 | Ecce sacerdos magnus | Anonymous | 5 | |
| 6 | 1 | Misa de Requiem | José de Nebra | 8 | with basso continuo, string quartet, and two flutes |
| 6 | 2 | Misa | Antonio Ripa | 8 | Kyrie and Gloria only, with basso continuo, two violins, and two horns |
| 6 | 3 | Stabat Mater | Antonio Ripa | 8 | with organ |
| 6 | 4 | Ave maris stella | José Lidón | 4 | with basso continuo and string quartet |
| 7 | 1 | Lamentations: Maundy Thursday, Lectio 1 | Francisco Javier García Fajer | 8 | with basso continuo, 2 horns, 2 bassoons, and 4 violins |
| 7 | 2 | Lamentations: Good Friday, Lectio 1 | Francisco Javier García Fajer | 7 | with basso continuo, string quartet, and 2 horns |
| 7 | 3 | Ad te levavi | Pedro Aranaz y Vides | 4 | |
| 7 | 4 | Deus tu convertens | Pedro Aranaz y Vides | 4 | |
| 7 | 5 | Ave Maria | Pedro Aranaz y Vides | 4 | |
| 7 | 6 | Laudate Dominum | Pedro Aranaz y Vides | 6 | with basso continuo, 2 violins, and 2 horns |
| 7 | 7 | Christus factus est | Manuel José Doyagüe | 4 | with violin, contrabass, and keyboard |
| 7 | 8 | Miserere | José Lidón | 4 | with basso continuo and string quartet |
| 7 | 9 | Defensor almae Hispaniae | Francisco Secanilla | 5 | with bass, 2 violins, 2 horns, and organ |
| 7 | 10 | Pange lingua gloriosa | Francisco Secanilla | 7 | with contrabass and organ |
| 7 | 11 | Salve Regina | Julián Prieto | 4 | with 2 violins, 2 horns, organ, and bass |
| 7 | 12 | Lauda Sion | Ramón Félix Cuéllar y Altarriba | 5 | with basso continuo, 2 oboes, 2 violins, and 2 horns |
| 7 | 13 | Sancta et immaculata virginitas | Antonio Montesinos | 8 | with basso continuo |
| 7 | 14 | Oh Madre | José Pons | 8 | with violins, violas, flute, clarinets, bassoon, horns, and bass |
| 7 | 15 | Memento Domine | Francisco Javier Cabo | 7 | with basso continuo |
| 8 | 1 | Stabat Mater | Nicolás Ledesma | 3 | with string quartet |
| 8 | 2 | Nunc Dimittis | Francisco Andreví y Castellar | 4 | with orchestra |
| 8 | 3 | Salve Regina | Francisco Andreví y Castellar | 6 | with orchestra |
| 8 | 4 | Principes persecuti sung | Mariano Rodríguez de Ledesma | 4 | with orchestra |
| 8 | 5 | Benedictus | Juan Bros y Bertomeu | 4 | with orchestra |
| 9 | 1 | Te Deum | Hilarión Eslava | 5 | with orchestra |
| 9 | 2 | O sacrum convivium | Hilarión Eslava | 4 | |
| 9 | 3 | Bone pastor | Hilarión Eslava | 4 | |
| 9 | 4 | O salutaris hostia | Hilarión Eslava | 8 | |
| 9 | 5 | Oficio de difuntos | Hilarión Eslava | 8 | with orchestra |
| 9 | 6 | Parce mihi Domine | Hilarión Eslava | 8 | with orchestra |
| 9 | 7 | Tedet animam meam | Hilarión Eslava | 8 | with orchestra |
| 9 | 8 | Libera me Domine | Hilarión Eslava | 8 | with cello and bass |
| 10 | 1 | Salve Regina | Juan Perez y Alvarez | 8 | |
| 10 | 2 | O! Salutaris | Juan Perez y Alvarez | 5 | with orchestra |
| 10 | 3 | Bone pastor | Ciriaco Jimenez Hugalde | 1 | with organ |
| 10 | 4 | O salutaris hostia | Ciriaco Jimenez Hugalde | 3 | with organ |
| 10 | 5 | O quam suavis est Domine | Valentín Metón | 5 | with orchestra |
| 10 | 6 | Ecce panis angelorum | Valentín Metón | 5 | with orchestra |
| 10 | 7 | O salutaris hostia | Valentín Metón | 4 | with orchestra |
| 10 | 8 | Salve Regina | Domingo Olleta | 5 | with organ and bass |
| 10 | 9 | Ave maris stella | Mariano Garcia | 4 | with strings, horns, and organ |
| 10 | 10 | O quam suavis | Hilario Prádanos | 4 | with strings |
| 10 | 11 | Ave maris stella | Manuel Fernández Caballero | 4 | with orchestra |
| 10 | 12 | Lauda Sion | Remigio Ozcoz y Calahorra | 4 | |
| 10 | 13 | Vere languores nostros | Remigio Ozcoz y Calahorra | 4 | with orchestra |
Works at CPDL
Volume 1 (1852)
| Title | Composer | Year | No. | Subgenre | Vo. | Voices | Instruments |
|---|---|---|---|---|---|---|---|
| Confitebor | Melchor Robledo | 1852 | 33 | Motets | 4 | SATB | A cappella |
| Domine Jesu Christe, qui in cruce | Melchor Robledo | 1852 | 31 | Motets | 4 | SATB | A cappella |
| Emendemus in melius | Cristóbal de Morales | 1852 | 19 | Motets | A cappella | ||
| Exaudiat dominus | Rodrigo de Ceballos | 1852 | 18 | Motets | 4 | SATB | A cappella |
| Hortus conclusus | Rodrigo de Ceballos | 1852 | 16 | Motets | 4 | SATB, SATT | A cappella |
| Immutemur habitu | Bartolomé de Escobedo | 1543 | 25 | Antiphons | 4 | SATB,STTB | A cappella |
| Inter vestibulum et altare | Rodrigo de Ceballos | 1852 | 17 | Motets | 4 | SATB | A cappella |
| Lamentabatur Jacob | Cristóbal de Morales | 1543 | 21 | Motets | 5 | SATTB | A cappella |
| Missa de Beata Virgine a 4 | Cristóbal de Morales | 1540 | 24 | Masses | 4(5) | SATB | A cappella |
| O Crux, ave, spes unica | Cristóbal de Morales | 1852 | 22 | Motets | 5 | SATTB | A cappella |
| Regem cui omnia vivunt | Melchor Robledo | 1852 | 32 | Motets | 4 | SATB | A cappella |
| Tribularer si nescirem | Francisco de Peñalosa | 1852 | 7 | Motets | 4 | SATB | A cappella |
| Verbum iniquum et dolosum | Cristóbal de Morales | 1852 | 23 | Motets | 5 | SAATB | A cappella |
| Versa est in luctum | Francisco de Peñalosa | 1852 | 10 | Requiems | 4 | SATB | A cappella |
Volume 2 (1852)
| Title | Composer | Year | No. | Subgenre | Vo. | Voices | Instruments |
|---|---|---|---|---|---|---|---|
| Ave virgo sanctissima | Francisco Guerrero | 1566 | 10 | Motets | 5 | SSATB | A cappella |
| In exitu | Juan Navarro Hispalensis | 1852 | 14 | Vesper Psalms | 4 | SATB | A cappella |
| Jesu, dulcis memoria | Tomás Luis de Victoria | 1840 | 4 | Motets | 4 | SATB | A cappella |
| Lauda Jerusalem | Juan Navarro Hispalensis | 1852 | 13 | Hymns | 4 | SATB | A cappella |
| Laudate Dominum omnes gentes a 8 | Tomás Luis de Victoria | 1581 | 6 | Motets | 8 | SATB.SATB | A cappella |
| Magnificat octavi toni | Juan Navarro Hispalensis | 1852 | 17 | Evening Canticles | 4 | SATB,SAAT | A cappella. The opening intonation has accompaniment for "bajón", maybe dulcian |
| Missa Ave maris stella | Tomás Luis de Victoria | 1576 | 1 | Masses | 4/5 | SATB | A cappella |
| Missa Pro defunctis a 4 | Tomás Luis de Victoria | 1583 | 7 | Requiems | 4 | SATB | A cappella |
| O Domine Jesu Christe | Tomás Luis de Victoria | 1576 | 3 | Motets | 6 | SAATTB, ATTBBB | A cappella |
| O quam gloriosum est regnum | Tomás Luis de Victoria | 1572 | 5 | Motets | 4 | SATB,ATTB | A cappella |
| Trahe me post te | Francisco Guerrero | 1589 | 11 | Motets | 5 | SSATB | A cappella |
| Vere languores | Tomás Luis de Victoria | 1572 | 2 | Motets | 4 | SATB | A cappella |
| Victimæ paschali laudes | Fernando de las Infantas | 1583 | 20 | Motets | 6 | SSTTTB | A cappella |
Volume 3 (1853)
| Title | Composer | Year | No. | Subgenre | Vo. | Voices | Instruments |
|---|---|---|---|---|---|---|---|
| Ave Maria a 8 | Alonso Lobo | 1602 | 5 | Motets | 8 | SATB.SATB | A cappella |
| Benedicamus benedico | Matías Juan de Veana | 1853 | 19 | Villancicos | 8 | SSAT.SATB | Basso continuo |
| Credo quod Redemptor | Alonso Lobo | 1602 | 3 | Motets | 4 | SATB | A cappella |
| Hodie nobis coelorum | Juan Bautista Comes | 1853 | 1 | Responsories | 12 | SSAT.SATB.SATB | Basso continuo |
| O Domine Jesu Christe | Sebastian de Vivanco | 1853 | 20 | Motets | 5 | SSATB | A cappella |
| Versa est in luctum | Alonso Lobo | 1602 | 2 | Motets | 6 | SSATTB, SATTTB, AATBBB | A cappella |
| Vivo ego, dicit Dominus | Alonso Lobo | 1602 | 4 | Motets | 4 | SATB | A cappella |
Volume 4 (1854)
| Title | Composer | Year | No. | Subgenre | Vo. | Voices | Instruments |
|---|---|---|---|---|---|---|---|
| Lesson I in Feria V a 12 | Antonio Teodoro Ortells | 1854 | 10 | Lamentations | 12 | SSAT.SATB.SATB | Basso continuo |
| Misa In exitu Israel de Egipto | Diego de Pontac | 1854 | 1 | Masses | 4 | SATB | A cappella |
| Misa a 8 voces, 'In devotione' | Carlos Patiño | 1854 | 2 | Masses | 8 | SATB.SATB | Basso continuo |
| O vos omnes | Sebastián Durón | 1854 | 12 | Motets | 4 | SSAT | Basso continuo |
Volume 5 (1855)
| Title | Composer | Year | No. | Subgenre | Vo. | Voices | Instruments |
|---|---|---|---|---|---|---|---|
| O vos omnes | Diego de las Muelas | 1855 | 13 | Motets | 8 | SSAT.SATB | Basso continuo |
| Parce mihi domine | José de Torres | 1855 | 3 | Motets | 8 | SATB.SATB | Basso continuo |
| Taedet animam meam | José de Torres | 1855 | 4 | Motets | 8 | SATB.SATB,STTB.STTB | Basso continuo |
| Tota pulchra es | Francisco Valls | 1719 | 7 | Motets | 4 | SATB | Basso continuo |
| Versa est in luctum | José de Torres | 1855 | 2 | Motets | 4 | SATB | A cappella |
Volume 6 (1856)
| Title | Composer | Year | No. | Subgenre | Vo. | Voices | Instruments |
|---|---|---|---|---|---|---|---|
| Ave maris stella | José Lidón | 1856 | 4 | Motets | 4 | SATB | String ensemble |
| Stabat Mater | Antonio Ripa | 1856 | 3 | Hymns | 8 | SATB.SATB | Basso continuo |
Volume 7 (1857)
| Title | Composer | Year | No. | Subgenre | Vo. | Voices | Instruments |
|---|---|---|---|---|---|---|---|
| Ad te levavi | Pedro Aranaz y Vides | 1857 | 3 | Offertories | 4 | SATB | A cappella |
| Ave Maria | Pedro Aranaz y Vides | 1857 | 5 | Motets | 4 | SATB | A cappella |
| Deus tu convertens | Pedro Aranaz y Vides | 1857 | 4 | Offertories | 4 | SATB | A cappella |
Volume 9 (1859)
| Title | Composer | Year | No. | Subgenre | Vo. | Voices | Instruments |
|---|---|---|---|---|---|---|---|
| Bone pastor | Hilarión Eslava | 1859 | 3 | Motets | 4 | SATB | A cappella |
| O sacrum convivium I | Hilarión Eslava | 1859 | 2 | Motets | 4 | SATB | A cappella |