Ave Maria (David Monks): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2009-08-23}} {{CPDLno|19994}} [[Media:Monks - Ave Maria (Italiano).pdf|{{pdf}}]] [[Media:Monks - Ave Maria (Italiano).mid|{{mid}}]] [[Media:Ave_Maria_(Italiano).mxl|{{XML}}]] [[Media:Ave_Maria_(Italiano).sib|{{sib}}]] (Sibelius 6)  
*{{PostedDate|2009-08-23}} {{CPDLno|19994}} [[Media:Monks - Ave Maria (Italiano).pdf|{{pdf}}]] [[Media:Monks - Ave Maria (Italiano).mid|{{mid}}]] [[Media:Ave_Maria_(Italiano).mxl|{{XML}}]] [[Media:Ave_Maria_(Italiano).sib|{{sib}}]] (Sibelius 6)
{{Editor|David Monks|2009-08-09}}{{ScoreInfo|A4|5|39}}{{Copy|CPDL}}
{{Editor|David Monks|2009-08-09}}{{ScoreInfo|A4|5|39}}{{Copy|CPDL}}
:'''Edition notes:''' {{MXL}}
:{{EdNotes|}}


==General Information==
==General Information==
'''Title:''' ''Ave Maria''<br>
{{Title|''Ave Maria''}}
{{Composer|David Monks}}
{{Composer|David Monks}}


{{Voicing|4|SATB}} with divided lines<br>
{{Voicing|4|SATB|add=with divided lines}}
{{Genre|Sacred|Motets}}
{{Genre|Sacred|Motets}}
{{Language|Italian}}
{{Language|Italian}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|}}  
{{Pub|1|}}
 
{{Descr|This setting, for a change, is in a modern language - Italian. It will be evident, however, even to a dyed in the wool traditionalist, that the language is really not so far removed from the Latin.
'''Description:''' This setting, for a change, is in a modern language - Italian. It will be evident, however, even to a dyed in the wool traditionalist, that the language is really not so far removed from the Latin.
There are somewhat pungent harmonies in places, but these should present no difficulty to an experienced choir; whilst even a less experience one should be able, with a little work and patience, to take on the piece successfully.
There are somewhat pungent harmonies in places, but these should present no difficulty to an experienced choir; whilst even a less experience one should be able, with a little work and patience, to take on the piece successfully.
The setting is suitable for church or concert/platform use.
The setting is suitable for church or concert/platform use.
It is free to copy and use. However, I would count it a courtesy if those who decide to take it on would let me know how they feel about it; the choir’s and the audiences’ responses, and details of when and where performed. This is for my portfolio and to satisfy a natural desire to know how my work fares after is has been launched into the choral world.
It is free to copy and use. However, I would count it a courtesy if those who decide to take it on would let me know how they feel about it; the choir’s and the audiences’ responses, and details of when and where performed. This is for my portfolio and to satisfy a natural desire to know how my work fares after is has been launched into the choral world.
Although the piece is free to copy and use, I retain copyright.  
Although the piece is free to copy and use, I retain copyright.}}
 
{{#ExtWeb:}}
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{LinkText|Ave Maria}}
{{LinkText|Ave Maria}}

Latest revision as of 01:02, 8 July 2021

Music files

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  • (Posted 2009-08-23)  CPDL #19994:        (Sibelius 6)
Editor: David Monks (submitted 2009-08-09).   Score information: A4, 5 pages, 39 kB   Copyright: CPDL
Edition notes:

General Information

Title: Ave Maria
Composer: David Monks

Number of voices: 4vv   Voicing: SATB, with divided lines
Genre: SacredMotet

Language: Italian
Instruments: A cappella

First published:
Description: This setting, for a change, is in a modern language - Italian. It will be evident, however, even to a dyed in the wool traditionalist, that the language is really not so far removed from the Latin. There are somewhat pungent harmonies in places, but these should present no difficulty to an experienced choir; whilst even a less experience one should be able, with a little work and patience, to take on the piece successfully. The setting is suitable for church or concert/platform use. It is free to copy and use. However, I would count it a courtesy if those who decide to take it on would let me know how they feel about it; the choir’s and the audiences’ responses, and details of when and where performed. This is for my portfolio and to satisfy a natural desire to know how my work fares after is has been launched into the choral world. Although the piece is free to copy and use, I retain copyright.

External websites:

Original text and translations

Original text and translations may be found at Ave Maria.