Johann Sebastian Bach: Difference between revisions
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*{{NoCo|Ein feste Burg ist unser Gott, BWV 303}} | *{{NoCo|Ein feste Burg ist unser Gott, BWV 303}} | ||
*{{NoCo|Erbarm' dich mein, o Herre Gott, BWV 305}} | *{{NoCo|Erbarm' dich mein, o Herre Gott, BWV 305}} | ||
*{{NoCo|Erstanden ist der heilge Christ, BWV 306}} | |||
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*{{NoCo|Es spricht der Unweisen Mund wohl, BWV 308}} | *{{NoCo|Es spricht der Unweisen Mund wohl, BWV 308}} | ||
*{{NoCo|Gelobet sei der Herr, BWV 45.7}} | *{{NoCo|Gelobet sei der Herr, BWV 45.7}} | ||
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*{{NoCo|Nun danket alle Gott, BWV 386}} | *{{NoCo|Nun danket alle Gott, BWV 386}} | ||
*{{NoCo|Nun freut euch, lieben Christen g'mein, BWV 388}} | *{{NoCo|Nun freut euch, lieben Christen g'mein, BWV 388}} | ||
*{{NoCo|Nun preiset alle, BWV 391}} | |||
*{{NoCo|Nun ruhen alle Wälder, BWV 244.10}} | *{{NoCo|Nun ruhen alle Wälder, BWV 244.10}} | ||
*{{NoCo|Nun sich der Tag, BWV 396}} | *{{NoCo|Nun sich der Tag, BWV 396}} | ||
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====Chorales in cantatas, arranged differently==== | ====Chorales in cantatas, arranged differently==== | ||
*{{NoCo|Sei Lob und Preis mit Ehren, BWV 28.2}} | |||
*{{NoCo|Verleih' uns Frieden gnädiglich, BWV 126.6}} | |||
*{{NoCo|Was Gott tut, das ist wohlgetan, BWV 75.7}} | |||
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*{{NoCo|Ich lasse dich nicht, du segnest mich denn}} | *{{NoCo|Ich lasse dich nicht, du segnest mich denn}} | ||
*{{NoCo|Nun hilf uns, Herr, den Dienern dein}} | *{{NoCo|Nun hilf uns, Herr, den Dienern dein}} | ||
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*{{NoComp|Signore dolce volto, BWV 244.44}} | *{{NoComp|Signore dolce volto, BWV 244.44}} | ||
*{{NoCo|Van 't vroeglicht van de dageraad, BWV 121.1}} | *{{NoCo|Van 't vroeglicht van de dageraad, BWV 121.1}} | ||
*{{NoComp|We Christians may rejoice}} | *{{NoComp|We Christians may rejoice, BWV 110.7}} | ||
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Revision as of 23:22, 28 November 2020
Life
Born: 21 March 1685
Died: 28 July 1750
Biography
Johann Sebastian Bach was a prolific German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, a control of harmonic and motivic organization from the smallest to the largest scales, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
- The above is an excerpt from Wikipedia. For the full article, click here.
List of choral works
- Bach works published at CPDL sorted alphabetically by title, see Johann Sebastian Bach compositions
- Bach works at CPDL listed by BWV number, see Johann Sebastian Bach/BWV list
- Bach Cantatas sortable by BWV number and calendar, see Sortable list of cantatas (Johann Sebastian Bach)
- Automation of this page, see /Automation
Cantatas (BWV1-BWV 224 and BWV 249)
Chorale Harmonizations (BWV 250-BWV 438)
Editions with different harmonizations
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Chorales in cantatas, arranged differently |
Passions, Oratorios, Magnificat |
Masses |
Motets |
Lieder, songs, arias |
Other works |
Editions with texts translated to other languages
Vocal Arrangements based on Bach's works
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Misattributed works
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Click here to search for this composer on CPDL
Publications
- 1708 – Cantata Gott ist mein König (BWV 71)
- 1726-1731 – Clavier-Übung I
- 1727-1737 – Picander's publication of cantata librettos
- 1735-1739 – Clavier-Übung II and Clavier-Übung III
- 1736 – Schemelli's Musicalisches Gesängbuch (BWV 439-507)
- 1741 – Goldberg Variations
- 1747 – Canonische Veränderungen über das Weynacht-Lied, Vom Himmel hoch, da komm ich her (BWV 769)
- 1748 – Das Musikalische Opfer
- 1751 – Die Kunst der Fuge
- 1784-1787 – Johann Sebastian Bachs vierstimmige Choralgesänge, 371 chorales, edited by C. P. E. Bach
- 1801 – Das wohltemperierte Klavier, Teil 1 and Teil 2
- 1851-1899 – Johann Sebastian Bach's Werke, 46 volumes
- 1892 – 185 Bach Chorales, reprint of pp. 177-276 of Bachs-Werke Ausgabe, vol. 39 (1892), in alphabetical order
- 1898 – 389 Choralgesänge
Recordings of interest
BWV | Title | Performers | Orchestra | Medium | Label | Notes |
---|---|---|---|---|---|---|
35, 54, 170 | Bach: Cantatas for alto | Andreas Scholl, Marcel Ponseele, Markus Markl | Collegium Vocale Orchestra | 1 CD 1999 | Harmonia Mundi 314902016440 | |
172, 68, 1 | Bach Kantaten (1) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam | Rotzsch, Neues Bachisches Collegium Musicum | CD 1981-1983 | Berlin Classics 0021502BC | Highlights: Arleen Augér, Peter Schreier, Ludwig Güttler trumpet, good tempos and control of Thomanerchor by Rotzsch |
137, 21 | Bach Kantaten (3) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam | CD 1981-1983 | Leipzig Classics BC-2175-2 | ||
140, 61, 36 | Bach: Kantaten (7) | Arleen Augér, Peter Schreier, Siegfried Lorenz | CD 1980-1983 | Berlin Classics 0020992BC | ||
110, 71 | Bach: Kantaten (8) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Siegfried Lorenz | CD 1981-1982 | Berlin Classics 0021002BC | ||
79, 80, 192, 50 | Bach Kantaten (9) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam | CD 1980-1982 | Berlin Classics 0021762BC | ||
244 | Matthäus-Passion | Peter Schreier, Theo Adam, Siegfried Vogel, Johannes Künzel, Hermann Christian Polster | Mauersberger & Mauersberger, Dresdner Kreuzchor & Thomanerchor; Gewandhausorchester Leipzig | 3 CD 1970 | Leipzig Classics | One of the best recordings: clarity of Schreier, especially the passion of the combined choirs. The last chorus is especially moving, given the history of Dresden in the decades before 1970. See review here. |
245 | Johannes-Passion | Hermann Prey, Evelyn Lear, Ernst Haefliger, Hertha Töpper | Karl Richter, Münchener Bach-Chor & Münchener Bach-Orchester | 2 CD 1964 | Deutsche Grammophon 453-007-2 | Definitely a romantic interpretation, but one that improves with age. |
External links
- Johann Sebastian Bach Home Page
- JSB's autograph scores at Bach Digital
- Bach Cantatas Website: Free PDF vocal scores to nearly every Bach cantata
- The Bach-Gesellschaft Ausgabe (BGA) edition piece by piece (in PDF) on the site of the International Music Score Library Project (IMSLP)
- The (almost) complete BGA in PDF (complete books) - Russian site
- Parts for BWV 11, 43, 48, 213, 232 and complete Chorales at CCARH
- Johann Sebastian Bach bibliography