Libera me, Domine, de morte aeterna (Robert Parsons): Difference between revisions

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*{{PostedDate|2002-07-07}} {{CPDLno|3797}} [http://web.archive.org/web/20120319061640/http://web.archive.org/web/20120319061640/http://www.millertheatre.com/parsons/latin.html {{net}}]
*{{PostedDate|2002-07-07}} {{CPDLno|3797}} [http://web.archive.org/web/20120319061640/http://web.archive.org/web/20120319061640/http://www.millertheatre.com/parsons/latin.html {{net}}]
{{Editor|George Steel|2002-07-07}}{{ScoreInfo|Letter|12|92}}{{Copy|Personal}}
{{Editor|George Steel|2002-07-07}}{{ScoreInfo|Letter|12|92}}{{Copy|Personal}}
:'''Edition notes:''' part of the Robert Parsons Project {{ScoreError}}
:{{EdNotes|part of the Robert Parsons Project {{ScoreError}}}}
 
==General Information==
==General Information==
{{Title|''Libera me, Domine, de morte aeterna''}}
{{Title|''Libera me, Domine, de morte aeterna''}}

Revision as of 19:53, 17 April 2021

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  • (Posted 2015-09-29)  CPDL #36973:         
Editor: James Gibb (submitted 2015-09-29).   Score information: A4, 11 pages, 148 kB   Copyright: CPDL
Edition notes: #23852, transposed down a 4th. Suitable for ATTTB.
  • (Posted 2011-07-09)  CPDL #23852:         
Editor: James Gibb (submitted 2011-07-09).   Score information: A4, 11 pages, 153 kB   Copyright: CPDL
Edition notes: Includes a keyboard reduction of the a cappella choral score. Revised files uploaded 29/09/15.
  • (Posted 2002-07-07)  CPDL #03797:  Network.png
Editor: George Steel (submitted 2002-07-07).   Score information: Letter, 12 pages, 92 kB   Copyright: Personal
Edition notes: part of the Robert Parsons Project
Error.gif Possible error(s) identified. See the discussion page for full description.

General Information

Title: Libera me, Domine, de morte aeterna
Composer: Robert Parsons

Number of voices: 5vv   Voicings: SAATB or ATTTB

Genre: SacredMotetResponsory at Matins of the Dead

Language: Latin
Instruments: A cappella

First published:
Description: Note: At the end, after 'quando caeli movendi sunt et terra', it may be appropriate to repeat bars 51-82 ('dum veneris judicare saeculum per ignem'), which is the way in which the work is performed on some authoritative recordings. - Mick Swithinbank

External websites:

Original text and translations

Original text and translations may be found at Libera me.