Libera me, Domine, de morte aeterna (Robert Parsons): Difference between revisions
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==Music files== | ==Music files== | ||
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* {{PostedDate|2022-07-08}} {{CPDLno|69922}} [[Media:Parsons-LiberaMe.pdf|{{pdf}}]] [[Media:Parsons-LiberaMe.mid|{{mid}}]] | * {{PostedDate|2022-07-08}} {{CPDLno|69922}} [[Media:Parsons-LiberaMe.pdf|{{pdf}}]] [[Media:Parsons-LiberaMe.mid|{{mid}}]] [[Media:Parsons-LiberaMe.mxl|{{XML}}]] | ||
{{Editor|Jason Smart|2022-07-08}}{{ScoreInfo|A4|11|273}}{{Copy|Creative Commons Attribution Non-Commercial No Derivatives}} | {{Editor|Jason Smart|2022-07-08}}{{ScoreInfo|A4|11|273}}{{Copy|Creative Commons Attribution Non-Commercial No Derivatives}} | ||
:{{EdNotes|Edited from the Tudor manuscript sources at source pitch. Note values halved.}} | :{{EdNotes|Edited from the Tudor manuscript sources at source pitch. Note values halved.}} |
Revision as of 19:28, 1 September 2022
Music files
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- (Posted 2022-07-08) CPDL #69922: Parsons-LiberaMe.mxl
- Editor: Jason Smart (submitted 2022-07-08). Score information: A4, 11 pages, 273 kB Copyright: CC BY NC ND
- Edition notes: Edited from the Tudor manuscript sources at source pitch. Note values halved.
- Editor: James Gibb (submitted 2015-09-29). Score information: A4, 11 pages, 148 kB Copyright: CPDL
- Edition notes: #23852, transposed down a 4th. Suitable for ATTTB.
- Editor: James Gibb (submitted 2011-07-09). Score information: A4, 11 pages, 153 kB Copyright: CPDL
- Edition notes: Includes a keyboard reduction of the a cappella choral score. Revised files uploaded 29/09/15.
- Editor: George Steel (submitted 2002-07-07). Score information: Letter, 12 pages, 92 kB Copyright: Personal
- Edition notes: part of the Robert Parsons Project
- Possible error(s) identified. See the discussion page for full description.
General Information
Title: Libera me, Domine, de morte aeterna
Composer: Robert Parsons
Number of voices: 5vv Voicings: SAATB or ATTTB
Genre: Sacred, Motet, Responsory at Matins of the Dead
Language: Latin
Instruments: A cappella
First published:
Description: Note: At the end, after 'quando caeli movendi sunt et terra', it may be appropriate to repeat bars 51-82 ('dum veneris judicare saeculum per ignem'), which is the way in which the work is performed on some authoritative recordings, and imparts to it the standard form of a responsory. - Mick Swithinbank
External websites:
Original text and translations
Original text and translations may be found at Libera me.