Lord, we adore thy vast designs (Thomas Clark): Difference between revisions
Jump to navigation
Jump to search
m (Text replacement - "'''Title:''' ''(.+)''<br>" to "{{Title|''$1''}}") |
m (Text replacement - " " to " ") |
||
| Line 3: | Line 3: | ||
*{{PostedDate|2015-07-21}} {{CPDLno|36211}} [[Media:ClarT-LordWeAdore.pdf|{{pdf}}]] [[Media:ClarT-LordWeAdore.mid|{{mid}}]] [[Media:ClarT-LordWeAdore.mxl|{{XML}}]] [[Media:ClarT-LordWeAdore.sib|{{sib}}]] (Sibelius 7) | *{{PostedDate|2015-07-21}} {{CPDLno|36211}} [[Media:ClarT-LordWeAdore.pdf|{{pdf}}]] [[Media:ClarT-LordWeAdore.mid|{{mid}}]] [[Media:ClarT-LordWeAdore.mxl|{{XML}}]] [[Media:ClarT-LordWeAdore.sib|{{sib}}]] (Sibelius 7) | ||
{{Editor|Edmund Gooch|2015-07-21}}{{ScoreInfo|A4|1|48}}{{Copy|Public Domain}} | {{Editor|Edmund Gooch|2015-07-21}}{{ScoreInfo|A4|1|48}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. Only the first verse of the text is given in the source: subsequent verses have here been added editorially. | :'''Edition notes:''' The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. Only the first verse of the text is given in the source: subsequent verses have here been added editorially. | ||
: | : | ||
| Line 18: | Line 18: | ||
{{Pub|1|1836|in ''The Congregational Harmonist'', Book 4, No. 25, London, as tune 594 on p. 448.}} | {{Pub|1|1836|in ''The Congregational Harmonist'', Book 4, No. 25, London, as tune 594 on p. 448.}} | ||
'''Description:''' This setting is attributed 'T. Clark' in ''The Congregational Harmonist'', where it is marked with a crossed circle, a symbol used in that book to indicate 'originals' (i.e. tunes not previously published). | '''Description:''' This setting is attributed 'T. Clark' in ''The Congregational Harmonist'', where it is marked with a crossed circle, a symbol used in that book to indicate 'originals' (i.e. tunes not previously published). | ||
'''External websites:''' | '''External websites:''' | ||
Revision as of 16:34, 19 November 2020
Music files
| ICON | SOURCE |
|---|---|
 |
|
 |
Midi |
 |
MusicXML |
 |
Sibelius |
 |
File details |
 |
Help |
- (Posted 2015-07-21) CPDL #36211: (Sibelius 7)
- Editor: Edmund Gooch (submitted 2015-07-21). Score information: A4, 1 page, 48 kB Copyright: Public Domain
- Edition notes: The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. Only the first verse of the text is given in the source: subsequent verses have here been added editorially.
General Information
Title: Lord, we adore thy vast designs
Composer: Thomas Clark
Tune: Obscurity
Lyricist: Isaac Watts
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn Meter: 88. 88 (L.M.)
Language: English
Instruments: Basso continuo
First published: 1836 in The Congregational Harmonist, Book 4, No. 25, London, as tune 594 on p. 448
Description: This setting is attributed 'T. Clark' in The Congregational Harmonist, where it is marked with a crossed circle, a symbol used in that book to indicate 'originals' (i.e. tunes not previously published).
External websites:
Original text and translations
Original text and translations may be found at Lord, we adore thy vast designs.