Lord, we adore thy vast designs (Thomas Clark): Difference between revisions
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{{Editor|Edmund Gooch|2015-07-21}}{{ScoreInfo|A4|1|48}}{{Copy|Public Domain}} | {{Editor|Edmund Gooch|2015-07-21}}{{ScoreInfo|A4|1|48}}{{Copy|Public Domain}} | ||
:{{EdNotes|The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. Only the first verse of the text is given in the source: subsequent verses have here been added editorially.}} | :{{EdNotes|The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. Only the first verse of the text is given in the source: subsequent verses have here been added editorially.}} | ||
==General Information== | ==General Information== | ||
{{Title|''Lord, we adore thy vast designs''}} | {{Title|''Lord, we adore thy vast designs''}} | ||
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{{Lyricist|Isaac Watts}} | {{Lyricist|Isaac Watts}} | ||
{{Voicing|4|SATB}} | {{Voicing|4|SATB}} | ||
{{Genre|Sacred|Hymns}} {{Meter|88. 88 (L.M.)}} | {{Genre|Sacred|Hymns}} {{Meter|88. 88 (L.M.)}} | ||
{{Language|English}} | {{Language|English}} | ||
Latest revision as of 18:47, 24 July 2021
Music files
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- (Posted 2015-07-21) CPDL #36211: (Sibelius 7)
- Editor: Edmund Gooch (submitted 2015-07-21). Score information: A4, 1 page, 48 kB Copyright: Public Domain
- Edition notes: The order of parts in the source is Alto - Tenor - Air - Bass, with the Alto and Tenor parts given in the treble clef an octave above sounding pitch. Only the first verse of the text is given in the source: subsequent verses have here been added editorially.
General Information
Title: Lord, we adore thy vast designs
Composer: Thomas Clark
Tune: Obscurity
Lyricist: Isaac Watts
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn Meter: 88. 88 (L.M.)
Language: English
Instruments: Basso continuo
First published: 1836 in The Congregational Harmonist, Book 4, No. 25, London, as tune 594 on p. 448
Description: This setting is attributed 'T. Clark' in The Congregational Harmonist, where it is marked with a crossed circle, a symbol used in that book to indicate 'originals' (i.e. tunes not previously published).
External websites:
Original text and translations
Original text and translations may be found at Lord, we adore thy vast designs.