To my request and earnest cry (Bennett Mintern Swaffield): Difference between revisions

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*{{NewWork|2015-01-23}} {{CPDLno|34391}} [{{filepath:SwafB-ToMyRequest.pdf}} {{pdf}}] [{{filepath:SwafB-ToMyRequest.mid}} {{mid}}] [{{filepath:SwafB-ToMyRequest.sib}} Sibelius 7]  
*{{PostedDate|2015-01-23}} {{CPDLno|34391}} [{{filepath:SwafB-ToMyRequest.pdf}} {{pdf}}] [{{filepath:SwafB-ToMyRequest.mid}} {{mid}}] [{{filepath:SwafB-ToMyRequest.sib}} Sibelius 7]  
{{Editor|Edmund Gooch|2015-01-23}}{{ScoreInfo|A4|2|48}}{{Copy|Public Domain}}
{{Editor|Edmund Gooch|2015-01-23}}{{ScoreInfo|A4|2|48}}{{Copy|Public Domain}}
:'''Edition notes:''' This edition is based on the first publication, in Richard Garbett's ''Sacred Harmony'' (1818). Verses after the first are printed after the music in the source, but have been underlaid here. The two vocal parts of the duet in bars 7-14 are both given on the soprano staff in ''Sacred Harmony''. A keyboard accompaniment given in ''Sacred Harmony'' has been omitted except for the instrumental bass part in bars 7-14, which is taken from the keyboard left-hand part: other than this, the accompaniment doubles the vocal parts.
:'''Edition notes:''' This edition is based on the first publication, in Richard Garbett's ''Sacred Harmony'' (1818). Verses after the first are printed after the music in the source, but have been underlaid here. The two vocal parts of the duet in bars 7-14 are both given on the soprano staff in ''Sacred Harmony''. A keyboard accompaniment given in ''Sacred Harmony'' has been omitted except for the instrumental bass part in bars 7-14, which is taken from the keyboard left-hand part: other than this, the accompaniment doubles the vocal parts.

Revision as of 17:17, 2 February 2015

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Editor: Edmund Gooch (submitted 2015-01-23).   Score information: A4, 2 pages, 48 kB   Copyright: Public Domain
Edition notes: This edition is based on the first publication, in Richard Garbett's Sacred Harmony (1818). Verses after the first are printed after the music in the source, but have been underlaid here. The two vocal parts of the duet in bars 7-14 are both given on the soprano staff in Sacred Harmony. A keyboard accompaniment given in Sacred Harmony has been omitted except for the instrumental bass part in bars 7-14, which is taken from the keyboard left-hand part: other than this, the accompaniment doubles the vocal parts.

General Information

Title: To my request and earnest cry
Composer: Bennett Mintern Swaffield
Lyricists: Nahum Tate and Nicholas Brady (from A new version of the psalms of David)

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn

Language: English
Instruments: Keyboard

Published: 1818

Description: This setting of verses 169, 171, 172 and 176 of the metrical New Version Psalm 119 was first published on p185 of Richard Garbett's Sacred Harmony, London: (1818), where it is attributed to 'Swaffield'.

The tune was republished in 1822 on p27 of Bennett Mintern Swaffield's own collection, Twenty Five Original Melodies.

Hymn Tune Index tune number 16045.

External websites:

Original text and translations

Original text and translations may be found at Psalm 119.