L'Orfeo, SV 318 (Claudio Monteverdi): Difference between revisions
m (Text replacement - " \'\'\'Description\:\'\'\' (.*) \'\'\'External" to "{{Descr|$1}} '''External") |
m (Text replacement - "\{\{Voicing\|(.*)\|(.*)\}\} (.*)\<br\> " to "{{Voicing|$1|$2|add=$3}} ") |
||
(9 intermediate revisions by 3 users not shown) | |||
Line 18: | Line 18: | ||
:'''Editorial report:''' [[Media:Mont-orf-edit.pdf|{{pdf}}]] | :'''Editorial report:''' [[Media:Mont-orf-edit.pdf|{{pdf}}]] | ||
{{Editor|Peter Rottländer|2016-06-21}}{{Copy|CPDL}} | {{Editor|Peter Rottländer|2016-06-21}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Transcribed from 1609 edition, compared to 1615 reprint. Please read the editorial report before asking questions.}} | ||
*{{PostedDate|2008-06-15}} {{CPDLno|17022}} [[Media:Monteverdi-Orfeo2.pdf|{{pdf}}]] [[Media:Monteverdi-Orfeo2.MID|{{mid}}]] [[Media:Monteverdi-Orfeo2.mxl|{{XML}}]] [[Media:Monteverdi-Orfeo2.mus|{{mus}}]] (Finale 2006) | *{{PostedDate|2008-06-15}} {{CPDLno|17022}} [[Media:Monteverdi-Orfeo2.pdf|{{pdf}}]] [[Media:Monteverdi-Orfeo2.MID|{{mid}}]] [[Media:Monteverdi-Orfeo2.mxl|{{XML}}]] [[Media:Monteverdi-Orfeo2.mus|{{mus}}]] (Finale 2006) | ||
{{Editor|Sabine Cassola|2008-06-15}}{{ScoreInfo|A4|81|1651}}{{Copy|CPDL}} | {{Editor|Sabine Cassola|2008-06-15}}{{ScoreInfo|A4|81|1651}}{{Copy|CPDL}} | ||
: | :{{EdNotes|Transcribed from edition of 1609.}} | ||
===Excerpts=== | ===Excerpts=== | ||
Line 28: | Line 28: | ||
*{{PostedDate|2006-04-08}} {{CPDLno|11421}} [[Media:Monteverdi_Orfeo_Act-1_PML.pdf|{{pdf}}]] | *{{PostedDate|2006-04-08}} {{CPDLno|11421}} [[Media:Monteverdi_Orfeo_Act-1_PML.pdf|{{pdf}}]] | ||
{{Editor|Philip Legge|2006-04-08}}{{ScoreInfo|A4|25|270}}{{Copy|Personal|© 2006 Philip Legge}} | {{Editor|Philip Legge|2006-04-08}}{{ScoreInfo|A4|25|270}}{{Copy|Personal|© 2006 Philip Legge}} | ||
: | :{{EdNotes|Score currently includes only: Toccata – Prologue – Act One. Transcribed from the 1615 reprint.}} | ||
;Act Three | ;Act Three | ||
*{{PostedDate|2012-09-01}} {{CPDLno|27065}} [[Media:Mont_pos.pdf|{{pdf}}]] | *{{PostedDate|2012-09-01}} {{CPDLno|27065}} [[Media:Mont_pos.pdf|{{pdf}}]] | ||
{{Editor|Marcel Gautreau|2012-08-31}}{{ScoreInfo|Letter|11|3740}}{{Copy|Creative Commons Attribution Non-Commercial Share Alike}} | {{Editor|Marcel Gautreau|2012-08-31}}{{ScoreInfo|Letter|11|3740}}{{Copy|Creative Commons Attribution Non-Commercial Share Alike}} | ||
: | :{{EdNotes|Editorial additions and alternatives in light grey type; includes end notes. Transcribed from Venice: Ricciardo Amadino, 1615. Second printing from new engraving; originally published 1609.}} | ||
==General Information== | ==General Information== | ||
Line 40: | Line 39: | ||
'''Composer:''' Claudio Monteverdi<br> | '''Composer:''' Claudio Monteverdi<br> | ||
{{Voicing|5|SSATB}} | {{Voicing|5|SSATB|add=and solos}} | ||
'''Solo rôles:''' | '''Solo rôles:''' | ||
:'''Prologue''' | :'''Prologue''' | ||
Line 55: | Line 54: | ||
{{Pub|1|1609|by Ricciardo Amadino, Venice}} Reprinted 1615. | {{Pub|1|1609|by Ricciardo Amadino, Venice}} Reprinted 1615. | ||
{{Descr|While there were semi-successful operatic experiments in Florence in the 1590s, Monteverdi's ''Orfeo'' was the first truly viable opera, first produced to great acclaim in February of 1607 in Mantua and the full score published soon after in Venice by Monteverdi's usual firm Amadino. The libretto was written by Alessandro Striggio (II), son of the Florentine composer [[Alessandro Striggio]].}} | {{Descr|While there were semi-successful operatic experiments in Florence in the 1590s, Monteverdi's ''Orfeo'' was the first truly viable opera, first produced to great acclaim in February of 1607 in Mantua and the full score published soon after in Venice by Monteverdi's usual firm Amadino. The libretto was written by Alessandro Striggio (II), son of the Florentine composer [[Alessandro Striggio]].}} | ||
{{#ExtWeb:{{Choralia|filter=mv03}} | |||
*[http://harmoniaeweb.blogspot.fr/2009/04/libretti-lorfeo-di-claudio-monteverdi_26.html Complete text of the work] | *[http://harmoniaeweb.blogspot.fr/2009/04/libretti-lorfeo-di-claudio-monteverdi_26.html Complete text of the work]}} | ||
==Original text and translations== | ==Original text and translations== | ||
===Act Three=== | ===Act Three=== | ||
Line 84: | Line 82: | ||
nè temer dei, ché sopra un'aurea Cetra | nè temer dei, ché sopra un'aurea Cetra | ||
Sol di corde soavi armo le dita | Sol di corde soavi armo le dita | ||
contra cui rigida alma invan s'impetra. | contra cui rigida alma invan s'impetra.}} | ||
}} | |||
{{Middle}} | {{Middle}} | ||
{{Translation|Dutch| | {{Translation|Dutch| | ||
Line 110: | Line 107: | ||
vrees niet, want op een gouden citer zijn het slechts de | vrees niet, want op een gouden citer zijn het slechts de | ||
zachte snaren, betokkeld als een wapen tegen dewelke | zachte snaren, betokkeld als een wapen tegen dewelke | ||
de hardvochtige zielen zich tevergeefs verzetten. | de hardvochtige zielen zich tevergeefs verzetten.}} | ||
}} | |||
{{Bottom}} | {{Bottom}} | ||
Latest revision as of 01:03, 8 July 2021
Music files
ICON | SOURCE |
---|---|
Midi | |
MusicXML | |
Finale | |
File details | |
Help |
Complete opera
- First instrument: Score information: A4, 28 pages, 274 kB Copyright: CPDL
- Second instrument: Score information: A4, 28 pages, 274 kB Copyright: CPDL
- Third instrument, treble clef: Score information: A4, 24 pages, 246 kB Copyright: CPDL
- Third instrument, alto clef: Score information: A4, 24 pages, 252 kB Copyright: CPDL
- Fourth instrument, octaviated treble clef: Score information: A4, 25 pages, 242 kB Copyright: CPDL
- Fourth instrument, tenor clef: Score information: A4, 24 pages, 239 kB Copyright: CPDL
- Fifth instrument, octaviated treble clef: Score information: A4, 25 pages, 252 kB Copyright: CPDL
- Fifth instrument, tenor clef: Score information: A4, 24 pages, 242 kB Copyright: CPDL
- Sixth instrument: Score information: A4, 24 pages, 240 kB Copyright: CPDL
- Seventh instrument: Score information: A4, 24 pages, 243 kB Copyright: CPDL
- Basso Continuo (one system): Score information: A4, 40 pages, 351 kB Copyright: CPDL
- Basso Continuo (two systems): Score information: A4, 52 pages, 408 kB Copyright: CPDL
- Harp: Score information: A4, 54 pages, 441 kB Copyright: CPDL
- Editorial report:
- Editor: Peter Rottländer (submitted 2016-06-21). Copyright: CPDL
- Edition notes: Transcribed from 1609 edition, compared to 1615 reprint. Please read the editorial report before asking questions.
- Editor: Sabine Cassola (submitted 2008-06-15). Score information: A4, 81 pages, 1.61 MB Copyright: CPDL
- Edition notes: Transcribed from edition of 1609.
Excerpts
- Toccata – Prologue – Act One
- Editor: Philip Legge (submitted 2006-04-08). Score information: A4, 25 pages, 270 kB Copyright: © 2006 Philip Legge
- Edition notes: Score currently includes only: Toccata – Prologue – Act One. Transcribed from the 1615 reprint.
- Act Three
- Editor: Marcel Gautreau (submitted 2012-08-31). Score information: Letter, 11 pages, 3.65 MB Copyright: CC BY NC SA
- Edition notes: Editorial additions and alternatives in light grey type; includes end notes. Transcribed from Venice: Ricciardo Amadino, 1615. Second printing from new engraving; originally published 1609.
General Information
Title: L'Orfeo, SV 318
Original title: L'Orfeo, Favola in Musica da Claudio Monteverdi rappresentata in Mantova l'anno 1607. - Orfeo, fable set to music (=opera) by Claudio Monteverdi, presented in Mantua in 1607.
Composer: Claudio Monteverdi
Number of voices: 5vv Voicing: SSATB, and solos
Solo rôles:
- Prologue
- La Musica (Music), soprano
- Act 1
- Orfeo, tenor
- Euridice, soprano
- Ninfa (A nymph), soprano
- Pastori (Shepherds), soprano, alto, 2 tenors, bass
Language: Italian
Instruments: Orchestra: flute, cornetti, clarino, trombe, trombones, strings, chitarroni, double harp, regal, two organs
First published: 1609 by Ricciardo Amadino, Venice
Reprinted 1615.
Description: While there were semi-successful operatic experiments in Florence in the 1590s, Monteverdi's Orfeo was the first truly viable opera, first produced to great acclaim in February of 1607 in Mantua and the full score published soon after in Venice by Monteverdi's usual firm Amadino. The libretto was written by Alessandro Striggio (II), son of the Florentine composer Alessandro Striggio.
External websites:
- Free choir training aids for this work are available at Choralia.
- Complete text of the work
Original text and translations
Act Three
Italian text Possente Spirto e formidabil nume, |
Dutch translation Machtige geest en grote godheid |
- Editions with large score files
- Peter Rottländer editions
- Sabine Cassola editions
- Philip Legge editions
- Marcel Gautreau editions
- SSATB
- 5-part choral music
- Secular music
- Operas
- Works in Italian
- Orchestra accompaniment
- Flute accompaniment
- Trombone accompaniment
- String ensemble accompaniment
- Harp accompaniment
- Organ accompaniment
- 1609 works
- Works with training aids
- Works with training aids at Choralia
- Texts
- Italian texts
- Translations
- Dutch translations
- Sheet music
- Baroque music